I know it’s trendy to bash record companies. They’re an easy target – a group of companies
who are clearly dying due to the new realities of the Internet-based economy
who stand in the way of a lower-priced item which millions enjoy. Record companies were at one time a good
idea, but through a combination of sleezy behavior in overcharging and treating
their customers badly, along with their primary distribution product all but
made useless in this day and age.
I’m actually encouraged by what the disillusion of the record
industry will do for music in general.
Basically, it takes away this huge gold ring which artists would strive
for in order to “make it” in the industry.
You weren’t a “true” musician if you didn’t have a record contract. Typically, these record contracts make
artists much more affluent which they were so before-hand, which often has a
role in changing a band’s music. Not
only in terms of the lifestyles which they were accustomed to (which directly
can affect the quality of lyrics) and they most often try to change their
sound, as they have more resources, production time, and the pressure to make
something “huge” for their first major label record.
Sometimes, it actually works.
Sometimes having a big label does help a band. Death Cab, for example, is still producing
excellent work now that they’re on a major label, and they are getting to
expand their sound in bigger and (arguably) better ways. In other cases, you’ll get an Interpol
situation, where a band who was great when they were a small and intimate act,
get signed to a label and end up trying to become a big rock band and end up
losing their focus and producing less than stellar material. (Sorry guys, Our Love To Admire” wasn’t
quite there – although Rest My Chemistry is a pretty great track).
What it does do, in all cases, is separate the band and its
fans. Whenever a band goes to a major
label, it’s like a layer is placed between you and the band. Suddenly, there is this other name and
element attached to the band, which may have positive or negative weights
attached to it. With the record labels,
it’s typically always a negative weight.
Without record labels, bands simply won’t have the option of “hitting
it big” by the definition of getting a record contract. Basically, you’ll have to advertise yourself
by the web, and ride the flow of word-of-mouth. While this is how I receive most of my music
recommendations anyways, it’s not all that foreign to me. However, sometimes like to be told what to
listen to. That whole element will be
downplayed somewhat, without record label budgets to jam gigantic acts down our
throats. I think what we will see,
instead, are “groups” of bands which form up under an umbrella name which
represents their style. Much like how
web-comics kind of formed organically in that fashion. It’s going to be interesting to watch how
this whole thing plays out.
I have to say, this year in music through – while interesting –
hasn’t been all in all terrific in terms of content through. Some pretty interesting releases, although
overall, not as strong as one would have hoped for. 2007 was a pretty banner year for releases,
so the lack of content is somewhat expected as bands take breaks and such. Couple great albums – Vampire Weekend, Sun
Kil Moon, British Sea Power, couple near misses – My Morning Jacket (Highly Suspicious
– dudes, WTF?), She & Him (can only tolerate so much in one sitting,
although its nice), Last Shadow Puppets (only can take so much of the British
accents in one sitting). For the most
part, I’m still catching up on last year’s releases. Nothing huge really hitting later in the
year, either. Sigh. Oh wells.
Vampire Weekend is really good though. Seriously.
Infectiously good.
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